The
Symbolism of Colours
( Extract from
the book - "Heka - The Practices of Ancient Egyptian
Ritual & Magic by David Rankine - for more information
on this book click
here)
The use of colour in Egyptian magic is of primary importance.
To the Egyptians, living in a largely bleak, desert landscape,
bright and vibrant colours were a way of enriching their
lives. The Egyptian hieroglyph for colour can also be translated
as being, character, disposition, nature or external appearance.
This clearly illustrates the significance of colour as being
an essential and integral part of the Egyptian worldview.
When
depicting groups of people or animals, the Egyptians usually
alternated the colour on them, to give a sense of perspective.
Hence the colour will often alternate between two shades,
light then dark, in pictures of groupings.
The
main colours used by the Egyptians were:
Black
Black (kem) was the colour of night, and of death. Black
symbolised the underworld, but could also symbolise resurrection,
life and fertility. In this respect black was interchangeable
symbolically with green. This association probably comes
from the fertile black silt of the Nile, deposited in
its annual flooding and ensuring the fertility of the
land. Egypt itself was known as the black land (kemet).
Black was also interchanged with blue for representing
the night sky.
Black
was associated with funerary deities such as Anubis and
Osiris, interchangeably with green in the latter case.
In the later Macedonian and Ptolemaic periods black stones
were used almost exclusively for magical healing statues.
Carbon from soot, charcoal or burnt animal bones was used
to produce black.
Blue
Blue (irtiu or khesbedj) was used to represent both the
heavens and the waters. Both these symbolisms are those
of life and rebirth, the eternal sky and the annual flooding
of the Nile, which recalled the primal flood of myths.
Blue was also associated with fertility, as the power
of the fecundating Nile river, so vital for the crops
the ancient Egyptians depended on. As well as being interchangeable
with black for the heavens, blue was also interchanged
with black as an underworld colour.
Blue
was associated with Amun-Ra, and sometimes with Osiris.
Ptah, Horus, Khnum, Re-Horakhty and Nuit were all often
depicted with blue bodies. The Eye of Horus amulets were
most often blue, symbolising their heavenly power. The
blue pigment was formed by combining iron and copper oxides
with silica and calcium.
Green
Green (wadj) was the colour of growth and of life itself,
a life-positive colour seen in the plants that sustained
the culture through food, medicine and writing (the papyrus).
To do green things was a term used to describe good deeds.
In
some early texts the afterlife is referred to as the Field
of malachite, and green came to be associated with resurrection
through the annual return of the green plants. Osiris
as Lord of the Underworld was usually depicted with green
skin, and Hathor was also associated with this colour.
Copper oxide or malachite was used to make the colour
green for artwork.
Red
Red (desher) was seen as the colour of blood and fire,
and could symbolise life and regeneration. Red also represented
the forces of chaos, and dangerous powers outside of man's
control. Red was specifically associated with Set, as
was red hair. Red also represented the untamed vastness
of the desert, and sometimes foreign lands as dangerous
places.
Red
ink was used to write the hieroglyph for evil, and for
the demon or unlucky days. To do red things was to perform
evil acts. However, red was also used to depict Re, and
the fierce radiance of the sun. Red was used to colour
the Eye of Re serpent amulet. The red colour was created
by using oxidized iron and red ochre.
White
White (hedj or shesep) was the colour of cleanliness,
associated with sacredness and ritual purity. Clothing,
especially that of the priesthood, was usually shown as
white. This is well illustrated by the Instructions of
Merikare, where the term wearing white sandals is used
to describe being a priest. Many of the sacred objects
were made from white alabaster, and many of the sacred
animals were also white, such as oxen, cows and hippopotami.
White
was also used interchangeably to describe silver, which
was sacred to the Moon. The crown of Upper Egypt was known
as the White crown, and white was the heraldic colour
of southern Egypt. The god Nefertem, whose symbol was
the white lotus flower, often had his statues made of
silver, to illustrate his link with the colour white.
Chalk and gypsum were both used to give a strong white
colour.
Yellow
Yellow (khenet or kenit) and gold were the colours of
the sun, and symbolised eternity and constancy. The ancient
Egyptians believed the flesh and bones of the gods were
made of gold, and so it was a natural progression to see
yellow and gold as sacred colours, and to use gold in
the construction of statues of the deities. The Egyptians
had several sources of yellow, ochre and imported orpiment
(arsenic trisulphide) being the most commonly used.
Other Colours
Brown, grey, orange and pink were also sometimes used,
but as only secondary colours. Such colours were formed
by adding white or black to the primary colours, or mixing
them accordingly.
( Extract
from the book - "Heka - The Practices of Ancient
Egyptian Ritual & Magic by David Rankine - for more
information on this book click
here)
|